Issued by India

Issued on Jul 24, 2024

Issued for : Department of Posts is delighted to release a commemorative postage stamp on Voice of Indian Music Mukesh. With his emotive voice and unforgettable songs, Mukesh’s contribution to music has left an enduring legacy that inspires generations. This commemoration not only celebrates his remarkable talent but also ensures that his influence on Indian music is remembered and cherished for years to come.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Sh. Sankha Samanta

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 3000 Paise

Miniature Sheets Printed : 111000

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Mukesh Chand Mathur

Born on Jul 22, 1923 at Delhi, British India

Died on Aug 27, 1976 at Detroit, Michigan, U.S.A.

About : 

• Mukesh Chand Mathur, revered as one of the most iconic playback singers in the history of Indian cinema, etched a lasting legacy through his mellifluous voice and profound emotional expression. Born on July 22, 1923, in Delhi, Mukesh’s journey from modest beginnings to musical greatness is a tale of talent, perseverance, and enduring impact.
• Mukesh’s early life was marked by humble circumstances, where he initially worked as a peon in the Central Public Works Department. During this time, fate intervened, and the renowned actor Motilal discovered his exceptional vocal ability. Recognizing Mukesh’s potential, Motilal encouraged him to pursue a career in playback singing, thus setting the stage for his remarkable ascent in the world of music.
• Arriving in Bombay (now Mumbai) in the 1940s, Mukesh embarked on his professional singing career, honing his craft with unwavering determination. His debut in playback singing quickly garnered attention, as his voice possessed a unique blend of depth, clarity, and emotive power that resonated deeply with listeners. Collaborations with eminent composers like Naushad, Anil Biswas, and Ghulam Haider further showcased Mukesh’s versatility and ability to interpret diverse musical styles with finesse.
• Mukesh’s breakthrough came with the film “Pehli Nazar” (1945), where his rendition of the song “Dil Jalta Hai To Jalne De” captivated audiences and established him as a formidable presence in the realm of Hindi film music. Throughout the 1940s and 1950s, Mukesh continued to deliver a string of memorable hits, including the hauntingly poignant “Awara Hoon” from the film “Awara” (1951) and the soul-stirring “Jeena Yahan Marna Yahan” from “Mera Naam Joker” (1970), which showcased his ability to convey deep emotions through his singing.
• One of Mukesh’s defining qualities was his ability to evoke a range of emotions—from joy and romance to melancholy and introspection—through his vocal performances. His voice became synonymous with the golden era of Bollywood music, resonating with audiences across India and beyond. Songs like “Mera Joota Hai Japani” from “Shree 420” (1955) and “Main Pal Do Pal Ka Shayar Hoon” from “Kabhi Kabhie” (1976) exemplify his mastery in capturing the essence of each lyric and melody, elevating them to the status of timeless classics.
• Beyond Hindi cinema, Mukesh’s influence extended to regional languages, where he lent his enchanting voice to songs in Gujarati, Marathi, Bengali, Rajasthani, Punjabi, and even Sanskrit. His ability to transcend linguistic barriers endeared him to audiences across India, solidifying his reputation as a pan-Indian icon of musical excellence. In recognition of his exceptional contributions to Indian music, Mukesh received numerous accolades during his career. He was honored with several Filmfare Awards for Best Playback Singer, including posthumous recognition for his poignant rendition in “Kabhi Kabhie”. Additionally, Mukesh was bestowed with the prestigious National Film Award for Best Male Playback Singer for his soulful rendition of “Kai Baar Yun Bhi Dekha Hai” from the film “Rajnigandha” (1974), underscoring his versatility and enduring appeal.
• Despite his towering success in the world of music, Mukesh remained grounded and committed to philanthropic causes. He actively participated in social initiatives and was a devoted member of Rotary International, using his talent to entertain and uplift communities during times of national crisis.
• Tragically, Mukesh’s life was cut short on August 27, 1976, when he passed away suddenly during a concert tour in the United States. His untimely demise left a profound void in the hearts of music lovers worldwide, marking a somber moment in Indian music history. Yet, Mukesh’s legacy endures through his timeless melodies, which continue to captivate new generations and evoke deep emotional resonance.
• Mukesh Chand Mathur’s journey from a humble beginning to becoming an iconic figure in Indian playback singing exemplifies the transformative power of music. His ability to touch hearts and convey profound emotions through his soulful voice remains unparalleled, making him a timeless beacon of artistic excellence. Mukesh’s contributions to Hindi cinema and Indian music as a whole are not just a chapter in history but a testament to the enduring impact of his talent and dedication. As long as there are melodies that stir the soul and songs that resonate with emotion, Mukesh’s voice will echo through the corridors of time, reminding us of the enduring power of music to transcend boundaries and enrich human experience.
• Text : Based on information received from Ministry of Culture.

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Issued by India

Issued on Oct 11, 2022

Issued for : Department of Posts is pleased to issue a Commemorative Postage Stamp on Sawai Gandharva.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Smt. Nenu Gupta

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 212350

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Ramachandra Kundgolkar Saunshi

Born on Jan 19, 1886 at Amminbhavi, Dharwad, Karnataka, India

Died on Sep 12, 1952

About : 

• Pandit Rambhau Kundgolkar, popularly known as Sawai Gandharva was born in Amminbhavi, a small village in Dharwad district of Karnataka on 18-1-1886. He lost his mother Smt. Saraswatibai when he was just 3 months old. Saraswatibai’s elder sister, Smt. Tulasakka took infant Ramachandra under her care and nursed him.
• At the age of 10 years, young Ramachandra happened to meet Ustad Abdul Karim Khan, the Pioneer of Kirana Gharana school of Hindustani classical music at Shrimant Ranganagouda Nadgir’s Palatial house at Kundgol in Dharwad district. The Ustad listened to young Ramachandra’s voice and is said to have exclaimed “Gala accha hai” meaning “voice is good”. Shrimant Ranganagouda Nadgir requested the Ustad to teach Classical music to young Ramachandra. Ustad Abdul Karim Khan accepted the request and rigorously trained Ramachandra for the next 10 years.
• After this training, Pt. Rambhau Kundgolkar toured and performed all over India and spread the sweetness of the Kirana Gharana school of music. He also set up his own drama company but, unfortunately, he was forced to shut it down due to heavy losses.
• He once again returned to classical singing, but with a new vigour. His voice was very melodious, that combined with his rigorous training and mastery over voice control, he soon became very popular and was held in high regard. His singing career spanned almost half a century.
• He performed before the Maharaja of Mysore Krishnaraja Wodeyar Nizam of Hyderabad, the Maharajas of Sangli, Kolhapur and Aundh etc., all of whom were impressed with his renderings and held him in high esteem.
• In the year 1924, AICC meeting was held in Belgaum where Mahatma Gandhi was the President. Pt. Sawai Gandharva performed there and Gandhiji, impressed with the singing, honoured Panditji with khadi garland.
• In 1929, the electrification of the main line between Mumbai and Pune was inaugurated by Sir Frederic Sykes, Governor of Bombay. The Governor had sent a special invitation to Pt Sawai Gandharva to perform before distinguished guests in Pune. The Governor was very happy to listen to Hindustani Classical music and honoured Pt Sawai Gandharva with a silver plate full of Victorian coins and exclaimed “What a great music, I have never listened to such divine music. Panditji did not allow me to change my posture for three hours and I got completely immersed in the music which is nothing but heavenly”.
• Pt. Sawai Gandharva was invited for the singing by the Secretary of Vijayanagar Empire Sixth Century Association. The luminaries present in the programme included the Maharaja of Mysore, Jnanpith awardee Dr. D R Bendre, Dr. V K Gokak, great historian Alur Venkatarao and others. Panditji’s singing was responded to by a standing ovation.
• Prince Dadasaheb Khaparde, Head of Varhad state bestowed the title of Sawai Gandharva upon Panditji.
• In 1946, Bharat Ratna Pt Bhimsen Joshi arranged ‘Ganda Bandhan’ ceremony by his guru Pt Sawai Gandharva at Railway’s North Institute of the Madras Southern Maratha Railway at Hubli in Karnataka. On this occasion, inspite of ill health, Pt Sawai Gandharva rendered Rag Jayajayawanti and Marathi abhangs.
• Pandit Sawai Gandharva’s disciples include, Padma Vibhushan Dr. Gangubai Hangal, Bharat Ratna Pt Bhimsen Joshi, Padma Bhushan Dr. Basavraj Rajguru, Padma Shri Feroze Dastur, Shrimant Nanasaheb Nadgir and Dr. Nanasaheb Deshpande.
• The essence of the music of Sawai Gandharva was emotion and intellect. He never displayed virtuosity for his own sake, but concentrated on the spirit of his Ragas. His ‘Asthaiji’ revealed a leisurely pace and meticulous unfolding of musical notes. The quite unhurried progression punctuated by soft swara-alap and the gradual exploration of the different dimensions of the Raga framework was the hallmark of his performance. This made his repertoire pleasing and at the same time subtle to the listening ears. Sawai Gandharva Rambhau Kundgolkar breathed his last on 12^th September 1951 at Pune.
• Text : Referenced from the contents provided by the proponent.

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Issued by India

Issued on Jul 3, 2018

Issued for : Department of Posts is pleased to issue a Commemorative Postage Stamp on M. L. Vasanthakumari.

Credits :
Stamp/First Day Cover/Brochure : Shri Sankha Samantha
Cancellation Cachet : Smt. Alka Sharma

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 501540

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Madras Lalitangi Vasanthakumari

Born on 3 Jul, 1928 at Madras, British India

Died on 31 Oct, 1990 at Chennai, Tamil Nadu, India

About : 

• Born into a family of singers, this classical Indian Carnatic vocalist was eventually known as MLV, an acronym standing for melody, laya and vidwat, three essential components of Carnatic music, which translated refer to melody, rhythmic variation and depth of feeling. She was one of a select triad of female vocalists who pushed the boundaries in a male-dominated culture, not only earning the right to perform on concert stages instead of only at private parties, but also being allowed to develop and demonstrate the ability to perform extended serious pieces from a variety of classical disciplines. Her associate female composers were the vocalists D. K. Pattammal and M. S. Subbulakshmi, together the three are widely referred to as the female Trinity of Carnatic music.
• Vasanthakumari’s mother was the concert performer Lalithangi. As a child, the little MLV was a support singer and also picked up training later on from the vocalist G. N. Balasubramaniam. He was her first large influence and the early stages of her music are marked by the same kind of rapid-fire phrasing and tricky rhythmic patterns that he was known for. Later in her career, she made a stylistic change and became an innovator.
• Born in Chennai on 3 July 1928 to musician parents Koothanur Ayyasami Iyer and Lalithangi, Vasanthakumari was a child prodigy. Lalithangi had learnt music from Coimbatore Thayi, Flute Subba Rao and Veena Dhanammal. Iyer and Lalithangi played an important part in propagating the devarnamas of Purandaradasa and also showed keen interest in Hindustani music. Young Vasanthi naturally grew up in a wonderful musical atmosphere, listening to the songs of Purandaradasa, the Trinity and other composers and visiting Hindustani musicians.
• But for the insistence of her charismatic guru, G. N. Balasubramanian, Vasanthakumari might not have become a career musician, as her parents, disappointed by lack of recognition, wanted her to pursue a proper education rather than music. She completed Senior Cambridge at school and acquired proficiency in English, developing a keen intellect that was often reflected in her music. It was G. N. Balasubramanian, who had heard her singing to herself once when he happened to be rehearsing for a programme with Lalithangi and D. K. Pattammal, who convinced them to let her learn from him.
• Vasanthi started accompanying Lalithangi in her recitals from the age of 11. She gave her first solo recital in Bangalore unexpectedly in 1941, when she was barely 13, as Lalithangi had to withdraw because of an attack of asthma. Introduced that evening to the audience as Madras Lalithangi Vasanthakumari, she gradually became famous as MLV.
• Vasanthakumari earnestly followed her guru’s advice that she must imbibe the best attributes of his music but must not imitate her. Her raga alapana, for instance, was marked by the same step-by-step development patented by GNB. She was also outstanding in niraval, with brigas flowing effortlessly from her silvery voice. In swaraprastara, too she was creative and original, striking surprising swara combinations with utmost fluidity. She was quite at her best in the ragamalika swaras she tended to render as part of ragam-tanam-pallavi. The ragamalika could be of mainstream ragas like Kanada, Kedaram, Yadukulakambhoji and Sahana, or rare ones like the Hindustani Tilang, Revati, Sindhubhairavi, Kalavati and Chandrakauns.
• Vasanthakumari’s kutcheris usually included besides ragam-tanam-pallavi, a varnam, a kriti in a major raga like Sankarabharanam, Kalyani, Bhairavi, Kambhoji, Todi or Kharaharapriya, kritis in ragas like Amritavarshini, Mohanam, Arabhi, Andolika, Hindolam or Poorvikalyani and lighter compositions following the main item, and a tillana to be sure. Her exquisite rendering of Purandaradasa songs was a major draw in her concerts.
• MLV was an excellent and caring teacher who took a loving interest in the careers of her disciples. Her daughter Srividya was a talented dancer who became a highly respected actor in Tamil cinema. She made the move into film music and was in demand on soundtracks. She was awarded with many titles and honours from music organizations all over the world. Among these were a doctorate degree, the cherished Padma Bhushan from the Government of India, the title of Sangita Kalanidhi from the Madras Music Academy and many more.
• Text : Based on material received from the proponent.

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Issued by India

Issued on May 23, 2018

Issued for : Department of Posts is pleased to issue a Commemorative Postage Stamp on C. Kesavan.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Smt. Alka Sharma

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 600000

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : C. Kesavan

Born on 23 May, 1891 at Mayyanad, Kollam district, Kerala, India

Died on 7 Jul, 1969 at Mayyanad, Kollam district, Kerala, India

About : 

• C. Kesavan was born at Mayyanad in Quilon. He graduated from University College, Trivandrum and took his law degree from Law College, Trivandrum. He was a prominent freedom fighter who organised, guided and led the struggle for the independence of India and was the chief architect of the liberation of Travancore State from the clutches of monarchy.
• After obtaining BA and BL degrees, he started legal practice at Kollam. He imbibed the teachings of Sree Narayana Guru, the great sage and social revolutionary and was gradually attracted to the dynamic philosophy of Gandhiji. As a man of the masses, he admired the radical economic and political teachings of Karl Marx also. Serving as the general secretary of the social organisation Sree Narayana Dharma Paripalana Yogam, he gave a new momentum to the social and political struggles in the state.
• C. Kesavan briefly worked as a school teacher. His political career began in 1932 as the undisputed leader of Abstention Movement (Nivarthana Agitation). As a leader of this Movement, which later shaped the struggle for Independence in this part of the country, he entered mainstream politics through the State Congress. He invited the severe wrath of the rulers while serving as the general secretary of All Travancore Joint Political Congress. He was arrested at Alleppey on June 6, 1935, tried for sedition, sentenced to imprisonment and fined and confined to Central Prison, Thiruvananthapuram. He made an epoch-making speech in Kozhenchery in 1935 which was a turning point in his career and a milestone in shaping the destiny of modern Kerala. C. Kesavan was arrested and imprisoned in Central Jail, Poojappura, Trivandrum. Later released, he was given a rousing reception at Kidangaparambu, Alappuzha. With the establishment of Travancore State Congress in 1938, the stormy political life of C. Kesavan had begun. Later, he courted arrest frequently and became a regular visitor to Poojappura Central Prison in Trivandrum. He had to again undergo imprisonment from August 29, 1942 for one year for taking part in the Quit India Movement.
• In the first election held after Independence he was elected to the Travancore Legislative Assembly and became a Minister in the Pattom Thanu Pillai Ministry in 1948 and held the portfolio of Health & Forest. By opening the Medical College in Trivandrum and legislating the bill for minimum wages of labourers, C. Kesavan displayed a model to Kerala society. However, he resigned after a few months. Subsequently, he was again elected to the Assembly and became the Chief Minister of Travancore State on February 28, 1951. Afterwards, even though he was elected to the Assembly once again in 1952, he retired from active public life after a few years and spent the last phase of his life at his home town Mayyanad in Quilon till his death on July 7, 1969.
• C. Kesavan was also a pioneering journalist; he launched one of the first daily newspapers in Malayalam: Kaumudi. He was a singer, actor and writer who penned one of the classic autobiographies in literary history: Jeevitha Samaram (Life Struggles).
• A Kerala icon, former Chief Minister of erstwhile Travancore-Cochin, leader of freedom movement, founding father of Travancore State Congress, architect of modern Kerala, hero of Abstention Movement; C. Kesavan was an outstanding social reformer of avowed commitment who revolutionized the society of Kerala with his trademark honesty, humility and inexorable determination. Known for fierce independence of thought, outlook and action, C. Kesavan’s brilliant and coercive oratory moved millions in their pursuit for political independence and social regeneration.
• Text : Based on the information received from proponent.

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Issued by India

Issued on Dec 30, 2016

Issued for : Department of Posts is happy to release a set of 10 commemorative postage stamps on Legendary Singers of India.

Credits :
Stamp / FDC : Sankha Samanta
Cancellation Cachet : Alka Sharma

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise each

Stamps Printed : 0.3 Million each

Miniature Sheet : 0.15 Million

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Bhupen Hazarika

Born on Sep 8, 1926 at Sadiya, Assam, British India

Died on Nov 5, 2011 at Mumbai, Maharashtra, India

About : 

• Dr. Bhupen Hazarika (8 September 1926 – 5 November 2011) was a poet, music composer, singer, actor, journalist, author and film-maker of high repute born in Assam. Bhupen Hazarika began his career in films as a child actor in the second talkie film to be made in the pioneering years of 1939, Indramalati. After completing his education and leaving his job as a teacher, he went to Kolkata where he established himself as a successful music director and singer. During that period, he made several award winning Assamese films such as Shakuntala, Pratidhwani, etc. and composed evergreen music for many Assamese films. He was also considered as a trend setter in Bengali music. As a singer, he was known for his baritone voice and diction; as a lyricist, he was known for poetic compositions and parables which touched on themes ranging from romance to social and political commentary; and as a composer, for his use of folk music. Ek Pal (1986), Rudaali (1993) and Daman: A Victim of Martial Violence (2001) are some major hindi films to his credit. Bhupen Hazarika also composed music for films from Bangladesh which got international acclaim. He was awarded the Padamshree in 1977 for his outstanding contribution to the field of culture in India.
  
• Text : Based on the material available on Internet.

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Issued by India

Issued on Dec 30, 2016

Issued for : Department of Posts is happy to release a set of 10 commemorative postage stamps on Legendary Singers of India.

Credits :
Stamp / FDC : Sankha Samanta
Cancellation Cachet : Alka Sharma

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise each

Stamps Printed : 0.3 Million each

Miniature Sheet : 0.15 Million

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Geeta Ghosh Roy Chowdhuri

Born on Nov 23, 1930 at Faridpur, Bengal Presidency, British India [now in Bangladesh]

Died on Jul 20, 1972 at Bombay, Maharashtra, India

About : 

• Geeta Dutt (23 November 1930 – 20 July 1972) was a prominent singer in the Hindi film industry who found particular prominence as a playback singer in Hindi cinema. She also sang many Bengali songs. She got her first break in 1946, in the mythological film Bhakta Prahlad. However, it was the film Do Bhai, in 1947, where her fresh and melodious voice combined vivacity and pathos in a way that touched the pulse of thousands of music lovers. Geeta Dutt was blessed with a rich voice that was like an interesting instrument that at once mesmerized and charmed her listeners. Geeta Dutt sang numerous songs some of which are extremely popular even today.
  
• Text : Based on the material available on Internet.

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Issued by India

Issued on Dec 30, 2016

Issued for : Department of Posts is happy to release a set of 10 commemorative postage stamps on Legendary Singers of India.

Credits :
Stamp / FDC : Sankha Samanta
Cancellation Cachet : Alka Sharma

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise each

Stamps Printed : 0.3 Million each

Miniature Sheet : 0.15 Million

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Hemanta Kumar Mukhopadhyay

Born on Jan 16, 1920 at Varanasi, Benares State, British India [now in Uttar Pradesh]

Died on Sep 26, 1989 at Kolkata, West Bengal, India

About : 

• Hemant Kumar (16 June 1920 – 26 September 1989) was a singer, composer, and producer in the Hindi and Bengali film industry. Even though he is most known for his hindi film songs from the 1950’s and 1960’s, he also sang in Bengali, and other Indian languages. He is known to have recorded approximately 2000 songs during his career. Hemant Kumar’s first film song was in the Bengali film Nimai Sanyas released in 1941 and his first compositions for himself were the Bengali non-film songs “Katha Kayonako Shudhu Shono” and “Amar Biraha Akashe Priya” in 1944. His first Hindi film songs were in Irada in 1944. He is considered a foremost exponent of Rabindra Sangeet. In the hindi film industry he is known for his work in the films Bees Saal Baad (1962), Sahib Bibi Aur Ghulam (1962) and Anupama (1966).
  
• Text : Based on the material available on Internet.

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Issued by India

Issued on Dec 30, 2016

Issued for : Department of Posts is happy to release a set of 10 commemorative postage stamps on Legendary Singers of India.

Credits :
Stamp / FDC : Sankha Samanta
Cancellation Cachet : Alka Sharma

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise each

Stamps Printed : 0.3 Million each

Miniature Sheet : 0.15 Million

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Abhas Kumar Ganguly

Born on Aug 4, 1929 at Khandwa, Central Provinces, British India [now in Madhya Pradesh]

Died on Oct 13, 1987 at Bombay, Maharashtra, India

About : 

• Kishore Kumar (4 August 1929 – 13 October 1987) was an Indian film playback singer, actor, lyricist, composer, producer, director, and screenwriter. He is considered one of the most successful playback singers of the Hindi film industry. Apart from Hindi, he sang in many Indian languages including Bengali, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam, Odia, and Urdu. He was famous for singing upbeat light songs, and light comical acting roles. Kishore was not afraid to borrow unusual techniques. He was inspired by “yodeling” and he adapted and used it in a number of films, such as “New Delhi” (1957) and “Pyar Ka Mausam” (1969).
  
• Text : Based on the material available on Internet.

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Issued by India

Issued on Dec 30, 2016

Issued for : Department of Posts is happy to release a set of 10 commemorative postage stamps on Legendary Singers of India.

Credits :
Stamp / FDC : Sankha Samanta
Cancellation Cachet : Alka Sharma

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise each

Stamps Printed : 0.3 Million each

Miniature Sheet : 0.15 Million

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Prabodh Chandra Dey

Born on May 1, 1919 at Calcutta, Bengal Presidency, British India [now Kolkata]

Died on Oct 24, 2013 at Bengaluru, Karnataka, India

About : 

• Manna Dey (1 May 1919 – 24 October 2013), a legendary figure in Indian music, started his career in playback singing with the film Tamanna in 1942. Manna Dey established his versatility between 1948 to 1954 by singing not only classical based film songs but also such film songs which were a fusion of Indian classical music and pop music. His experimentation with western music too produced many unforgettable melodies resulting in an increase in singing offers in films from 1955. He had begun singing ghazals in Hindi films from 1953. He turned into an independent music composer in Hindi films with Maha Pooja in 1954. His peak period in Hindi film industry is considered to be from 1953 to 1969 where he is said to have recorded 758 Hindi songs of which 631 came between 1957 and 1969. His music has enthralled the audience throughout the world. He was honoured with the Padma Shri in 1971, the Padma Bhushan in 2005, and the Dadasaheb Phalke Award in 2007.
  
• Text : Based on the material available on Internet.

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Issued by India

Issued on Dec 30, 2016

Issued for : Department of Posts is happy to release a set of 10 commemorative postage stamps on Legendary Singers of India.

Credits :
Stamp / FDC : Sankha Samanta
Cancellation Cachet : Alka Sharma

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise each

Stamps Printed : 0.3 Million each

Miniature Sheet : 0.15 Million

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Mohammed Rafi

Born on Dec 24, 1924 at Kotla Sultan Singh, Punjab, British India

Died on Jul 31, 1980 at Mumbai, Maharashtra, India

About : 

• Mohammed Rafi (24 December 1924 – 31 July 1980) was one of the most popular playback singers of the Hindi film industry. He was notable for his versatility and he sang a wide range of songs including classical numbers, patriotic songs, sad lamentations, highly romantic numbers, qawwalis, ghazals and bhajans. Between the years 1950 and 1970, Rafi was the most sought after singer in the Hindi film industry. His style was smooth and easy and his range varied from Bhajans and Ghazals to light hearted romantic songs including Yahoo. Mohammed Rafi was honoured with the Padma Shri in 1967.
  
• Text : Based on the material available on Internet.

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