Issued by India

Issued on Dec 16, 2025

Issued for : The Department of Posts is proud to release a commemorative postage stamp honouring a figure who seamlessly bridged the worlds of scholarly excellence and popular culture. He embodies the spirit of inclusivity, creativity, the intellectual rigour that defines India’s literary tradition. This stamp not only celebrates Arudra’s legacy but also highlights the enduring significance of Telugu literature in India’s cultural fabric.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Ms. Neetu Arora

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 303280

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Bhagavatula Sadasiva Sankara Sastry

Born on 31 Aug, 1925 at Visakhapatnam, Andhra Pradesh, India

Died on 4 Jun, 1998

About : 

• Bhagavatula Sadasiva Sankara Sastri, better known by his pen name Arudra, made significant contributions to poetry, literary scholarship, cinema, dance research, and cultural preservation. He was a rare blend of creative brilliance and academic rigour.
• Born on 31 August, 1925 in Visakhapatnam, Arudra hailed from a distinguished family whose history stretches back four centuries. His early years were shaped by traditional learning, but he broke away from convention early, rejecting caste-based practices and embracing a humanist worldview. His first poetic awakening came during the Japanese bombing of Visakhapatnam in World War II, which inspired Loha Vihangalu (Metal Birds). This powerful anti-war poem marked his literary debut.
• Arudra’s formative years were eclectic. He served in the Royal Indian Air Force, worked as a photographer, and eventually immersed himself in journalism and the Telugu film industry. His early literary mentors under whose influence Arudra honed his craft, blending modernist aesthetics with social commitment. Throughout his life, Arudra was a relentless learner, whether mastering chess, explore the depths of Telugu literary history and revived near-forgotten classical dance forms like Vilasini Natyam.
• Arudra’s magnum opus, Samagra Andhra Sahityam, remains the most comprehensive documentation of Telugu literary history to date. Originally spanning thirteen volumes, later condensed into four, it traces the evolution of Telugu literature from its origins to the modern era, making it a foundational reference for scholars and enthusiasts alike. His ability to weave historical rigour with engaging narrative ensured that this work became accessible beyond academia.
• As a poet and lyricist, Arudra brought literary finesse to popular culture. He penned over 3,000 film songs, many of which became cultural staples, effortlessly blending poetic sophistication with mass appeal. His film lyrics, from devotional hymns to romantic duets, demonstrated his versatility and deep understanding of both classical and contemporary idioms. His landmark works include Tvamevaham, a searing poetic refection on war and human suffering, and countless film songs that continue to resonate across generations.
• Arudra was also a passionate researcher and revivalist of traditional arts. His scholarship on Vilasini Natyam, a classical dance form, played a pivotal role in its preservation and revival. His interdisciplinary approach-bridging literature, cinema, dance, and even magic, epitomised his belief that true art transcends rigid boundaries.
• Arudra considered himself a Sangha Jeevi, a people’s writer who believed that while epics live on paper, lyrics live in the hearts and voices of the people. This philosophy remains profoundly relevant today as India seeks to balance cultural preservation with modernisation. His works continue to be taught, performed, and discussed, bridging generations and inspiring new waves of Telugu writers, scholars, and artists.
• The centenary of Arudra’s birth has reignited interest in his legacy and reaffirmed his pivotal role in Telugu and Indian cultural history. His vision of making literature accessible without diluting its essence continues to guide contemporary discourse on cultural inclusivity.
• Arudra’s towering contributions to Telugu literature, cinema, and cultural research make him a national figure of enduring significance. His centenary offers a timely and symbolic occasion to honour his legacy, ensuring that new generations across India recognise and celebrate his multifaceted genius.
• Text : Referenced from content provided by the Proponent.

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Issued by India

Issued on Dec 25, 2024

Issued for : Department of Posts is proud to issue a commemorative postage stamp in honor of Atal Bihari Vajpayee Ji on the occasion of his centenary year. This stamp is a tribute to his unparalleled contributions to India’s political and social landscape, his visionary leadership and his enduring legacy as a statesman, poet and nation-builder. India Post hopes this stamp will serve as a lasting reminder of his extraordinary life and inspire future generations to uphold his values. Atal Bihari Vajpayee Ji’s legacy as a leader, thinker, and poet will forever remain etched in the heart of the nation.

Credits :
Stamp / FDC / Brochure / Cancellation Cachet : Smt. Nenu Gupta

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 202800

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Atal Bihari Vajpayee

Born on 25 Dec, 1924 at Gwalior, Gwalior State, British India [now Madhya Pradesh, India]

Died on 16 Aug, 2018 at New Delhi, India

About : 

• Shri Atal Bihari Vajpayee was one of India’s most respected and beloved leaders, a towering figure in Indian politics whose vision, eloquence and dedication to public service shaped the course of the nation. Born on December 25, 1924, in Gwalior, Madhya Pradesh, into a humble family, he rose to become a statesman of international repute. His father, a school teacher, instilled in him the values of discipline and integrity, qualities that Vajpayee Ji would carry throughout his life. An exemplary student, he pursued his Bachelor’s degree in Arts from Victoria College, Gwalior (now known as Laxmibai College), and later earned an M.A. in Political Science from DAV College, Kanpur. His academic pursuits laid the foundation for a lifelong interest in governance, public policy and international relations.
• Vajpayee Ji’s political journey began during his student days when he participated in the Quit India Movement of 1942, a landmark campaign in India’s independence. His passion for public service drew him away from an initial career in journalism. In 1951, he joined the Bharatiya Jana Sangh, the precursor to today’s Bharatiya Janata Party (BJP). He quickly rose through the ranks, earning a reputation as a gifted orator and sharp political thinker. His speeches, imbued with clarity, wit and poetic flair, resonated deeply with people across the country.
• Over a political career spanning more than four decades, Vajpayee Ji was elected to the Lok Sabha nine times and to the Rajya Sabha twice—a testament to his unwavering commitment to democratic principles. His parliamentary career was distinguished by roles as Prime Minister, Foreign Minister, Chairperson of important Standing Committees, and Leader of the Opposition. Each role saw him contributing to shaping India’s domestic and foreign policy.
• Vajpayee Ji served as India’s Prime Minister three times, including a full term from 1999 to 2004. His leadership during these years was transformative, marked by bold and visionary initiatives.
• Another hallmark of Vajpayee Ji’s leadership was his focus on infrastructure development. His ambitious Golden Quadrilateral project, aimed at connecting the four major metropolitan cities of Delhi, Mumbai, Chennai, and Kolkata, revolutionized India’s road network and boosted economic development. This project symbolized his vision of a modern and interconnected India, ready to meet the demands of the 21^st century.
• Vajpayee Ji was known for his consensus-building approach, often reaching across party lines to foster unity and cooperation. His tenure as Prime Minister was marked by efforts to strengthen India’s democratic institutions and promote good governance. His inclusive leadership earned respect from allies and political adversaries alike.
• A poet at heart, Vajpayee Ji’s speeches and writings reflected his profound understanding of human emotions and societal issues. His poetry, marked by lyrical beauty and philosophical depth, added a unique dimension to his political vision, enabling him to address complex issues with compassion and foresight.
• As Foreign Minister in the 1970s and later as Prime Minister, Vajpayee Ji played a pivotal role in shaping India’s foreign policy. A firm believer in peaceful coexistence, he worked tirelessly to strengthen India’s relations with its neighbors and the international community. His historic Lahore Bus Yatra in 1999 showcased his commitment to peace and dialogue.
• Vajpayee Ji passed away on August 16, 2018, leaving behind a legacy that continues to inspire leaders and citizens alike. He was a visionary who believed in an India that was modern and progressive yet deeply rooted in its cultural heritage. His life and work embody the ideals of democracy, inclusiveness and national pride.
• Text : Based on information received from Ministry of Culture.

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Issued by India

Issued on Feb 20, 2024

Issued for : When the country is entering into the Amrit Kaal, honouring the life and work of our legendary poets like Bhima Bhoi and Gangadhar Meher is an inspiration to youngsters and motivates them to take pride in our rich cultural heritage.

Department of Posts is delighted to issue a miniature sheet on legendary poets of Odisha and salute the life and work of Bhima Bhoi and Gangadhar Meher.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Shri Brahm Prakash

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 1000 Paise

Souvenir Sheet Price : 2000 Paise

Souvenir Sheets Printed : 1.11 Lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Gangadhara Meher

Born on 9 Aug 1862 at Barpali, Bargarh, Odisha, India

Died on 4 Apr 1924

About : 

• The culture of Odisha is characterized by its rich heritage of classical arts, temple architecture, traditional music and devotion. Its tapestry of history is woven by a number of unsung cultural heroes resulting in diverse and vibrant artistic tradition.
• Gangadhar Meher was born on 9^th August, 1862 on Sravana Purnima at Barapalli, of present-day Bargarh District of Odisha. He was born in a weaver family and educated upto 5^th class. His father Chaitanya Meher was working as a village Vaidya (Ayurvedic doctor) besides his family profession of weaving. At the age of 10, he got married to Shanta Devi.
• In spite of his little education, he had read a good number of books like Raguvamsham in Sanskrit, Tulasi Ramayana in Awadhi, etc. and mastered them. He was also able to read Bengali magazines and newspapers. Due to the pecuniary condition of his family, Gangadhar Meher used to go to school in the morning and helped his father in weaving in the afternoon. His clear and beautiful handwriting also garnered attention from many people willing to get their writings transcribed by him.
• The then Zamindar of Barapalli offered him the post of an Amin (Patwari). Coming to learn of amicable behaviour and good virtues of Gangadhar, the Zamindar promoted him to the post of a Moharir. He continued to serve in the said post and was transferred to Sambalpur, Bijepur and Padampur and at last he was transferred to his native place Barapalli on a salary of Rs. 30/- per month.
• Gangadhar started composing poems from a very tender age. His first writings follow the style and technique of the ancient Odia writers. His first poetic work was ‘Rasa Ratnakara’. Then, being persuaded by some friends he changed his ways and wrote poems in the modern Odia style. The works produced by Gangadhar Meher are marked by vivid imagination, in beauty and clarity of language, in the novelty of style, in point of forceful character painting and in the lively description of nature from different perspective. His writings remain as some of the greatest creations in the Odia literature.
• The popularity of his literary creations is due to his narration of the beauty of the nature. He was also the messenger of Upendra Bhanja’s style and ideals. Just like Kabi Samrat Upendra Bhanja, his poems are replete with high ornamental words, unique composition style, using in befitting cases, similes, metaphors and appropriate words. His poems are sonorous in the rhythm of words and languages.
• His poetic creations include Pranaya Ballari, Kichaka Badh, Indumati, Utkal Laxmi, Ayodhya Drusya, Kabita Kallola, Arghya Thali, Ahalya Staba, Mahima, Bharati Bhabana, Kumara Janmotsav, Bhakti Upahar, Padmini, Kabita Mala and Krushaka Sangita. His Prose creations include Atma Jeevani, Shri Nruparaj Singh, Purana Kabi Fakir Mohan, Swargiya Kashinath Panda, Ehaki Pruthibira Sabda, Sikshit, Ashikshit & Sikshyabhimanini.
• The great poet of Odia literature Gangadhar Meher breathed his last on 4^th April, 1924.
• Text : Based on Information received from the proponent.

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Issued by India

Issued on Feb 20, 2024

Issued for : When the country is entering into the Amrit Kaal, honouring the life and work of our legendary poets like Bhima Bhoi and Gangadhar Meher is an inspiration to youngsters and motivates them to take pride in our rich cultural heritage.

Department of Posts is delighted to issue a miniature sheet on legendary poets of Odisha and salute the life and work of Bhima Bhoi and Gangadhar Meher.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Shri Brahm Prakash

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 1000 Paise

Souvenir Sheet Price : 2000 Paise

Souvenir Sheets Printed : 1.11 Lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Bhima Bhoi

Born on 1850 at Sambalpur, Odisha, India

Died on 1895 at Subarnapur, Odisha, India

About : 

• The culture of Odisha is characterized by its rich heritage of classical arts, temple architecture, traditional music and devotion. Its tapestry of history is woven by a number of unsung cultural heroes resulting in diverse and vibrant artistic tradition.
• Santha Kabi Bhima Bhoi is a unique genius and spiritual poet born in the 19^th Century (1850). The legend about him is so complex and mysterious that it is still not possible to say anything about him with certainty. As a result, the poet’s date of birth, date of death, birth place, field of worship and life – everything is shrouded in mystery.
• Bhima Bhoi was employed as a cowherd in the house of Chaitanya Pradhan of Kakanpada. One day, while herding the cows, he fell into an abandoned well near Kandhara village. He refused to take help of anybody other than the one who had thrown him into the well. Eventually, Mahima Gosain appeared at the site and served a condition that he would pick him up if he agreed to propagate his thoughts. He also blessed him with the power to write poetry.
• Bhima Bhoi was a great tribal saint poet, philosopher, social reformer and a revolutionary par excellence, the founder of modern cult named Satya Mahima Dharma. Towards the end of 19^th century, Saint Bhima Bhoi saved the downtrodden people from accepting Christianity. He gave a new dimension to the Hindu religion by creating the Satya Mahima Cult with substantive principles of Sanatan Dharma. It was based on the principles of non-attachment and renunciation. Under his able leadership, the cult spread like wildfire in the whole of Odisha and nearby states like Madhya Pradesh, West Bengal, Andhra Pradesh, Bihar and other parts of India.
• He is a literary genius who has to his credit thousands of verses both in Odia (Kosali) and Bengali. Some of those are published in book form and some are still unpublished. His important works include Brahma Nirupana Gita, Stuti Chintamani, Astaka Bihari Gita, Chautisa Madhu Chakra and Bhajanamala. “Granthavali” published in his name, which is rated as a marvellous work of literary excellence of international repute.
• His famous verse “Praninka arata, dukha apramita dekhu dekhu keba sahu, mo jibana pachhe narke padithau, jagata udhhara heu” has found a place on the walls of the United Nations and the Indian Parliament.
• Bhima Bhoi and Maa Annapurna are worshipped by their devotees as God and Goddess whose Paduka Temple is enshrined in the premises of Khaliapali Samadhi Pitha. He was a young yogi and his yoga was effective par excellence. Bhima Bhoi breathed his last in Khaliapali on Shiva Chaturdasi in 1895, where his Samadhi temple is located.
• Text : Based on Information received from the proponent.

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Issued by India

Issued on Nov 23, 2023

Issued for : Department of Posts is delighted to issue Commemorative Postage Stamp on 525^th Birth Anniversary of Saint Meera Bai and salutes her teachings to the world on the ways to love God.

Credits :
Stamp/FDC/Brochure : Sh Brahm Prakash
Cancellation Cachet : Sh Brahm Prakash

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 201600

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Meera

Born on 1498 at Kudaki, Rajasthan, India

Died on 1546 at Dwarka, Gujarat, India

About : 

• Meera Bai, born in 1498, Kudaki, India, was a hindu mystic and poet whose lyrical songs of devotion to the god Krishna are popular in northern India.
• Meera Bai was a Rajput princess, the only child of Ratan Singh, younger brother of the ruler of Merta. Her royal education included music and religion as well as instruction in politics and government. An image of Krishna given to her during childhood by a holy man began a lifetime of devotion to Krishna, whom she worshipped as her Divine Lover.
• Meera Bai was married in 1516 to Bhoj Raj, crown prince of Mewar. Her husband died in 1521, probably of battle wounds, and thereafter she was the victim of much persecution and intrigue at the hands of her brother-in-law when he ascended the throne, and by his successor, Vikram Singh. Meera Bai was something of a rebel, and her religious pursuits did not fit the established pattern for a Rajput princess and widow. She spent most of her days in her private temple dedicated to Krishna, receiving sadhus (holy men) and pilgrims from throughout India and composing songs of devotion. At least two attempts made on her life are alluded to in her poems. Once a poisonous snake was sent to her in a basket of flowers, but when she opened it, she found an image of Krishna. On another occasion she was given a cup of poison but drank it without any harm.
• Finally, Meera Bai left Mewar and returned to Merta, but finding that her unconventional behaviour was not acceptable there either, she set out on a series of pilgrimages, eventually settling in Dwarka. In 1546 Udai Singh, who had succeeded Vikram Singh as rana, sent a delegation of Brahmans to bring her back to Mewar. Reluctant, she asked permission to spend the night at the temple of Ranchorji (Krishna) and the next morning was found to have disappeared. According to popular belief, she miraculously merged with the image of Ranchorji, but whether she actually died that night or slipped away to spend the rest of her years wandering in disguise is not known.
• Meera Bai belonged to a strong tradition of bhakti (devotional) poets in medieval India who expressed their love of God through the analogy of human relations — a mother’s love for her child, a friend for a friend, or a woman for her beloved. The immense popularity and charm of her lyrics lies in their use of everyday images and in the sweetness of emotions easily understood by the people of India.
• Meera’s mystic songs act as a soothing balm to the wounded hearts and tired nerves of those who toil in this world with the heavy burden of life. The sweet music of her songs exerts a benign influence on the hearers, removes discord and disharmony, and lulls them to sleep. Meera’s language of love is so powerful that even a downright atheist will be moved by her devotional songs. Meera’s songs infuse faith, courage, devotion and love of God in the minds of the readers. They inspire the aspirants to take to the path of devotion and they produce in them a marvellous thrill and a melting of the heart.
• Text : Referenced from content provided by Proponent.

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Issued by India

Issued on Mar 30, 2023

Issued for : Department of Posts is pleased to issue a set of Commemorative Postage Stamps on the Legends of Odisha who have contributed magnificently to the art and culture of not only Odisha but also took the Indian values and culture to the international panorama.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Smt. Nenu Gupta

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 1000 Paise

Souvenir Sheet Price : 5000 Paise

Souvenir Sheets Printed : 301590

Miniature Sheet Printed : 1.11 Lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Laxmikanta Mahapatra

Born on 9 Dec, 1888 at Talapada, Tihidi, Bhadrak, Odisha, India

Died on 24 Feb, 1953

About : 

• Of all the regional cultures, Odisha or the ancient Kalinga played a very conspicuous and vital role in the cultural matrix of Indian civilization. From the time immemorial Odisha has attracted a large number of scholars, artists and tourists.
• Kantakabi Lakshmikanta Mohapatra was born at Bakharabad, Cuttack on 09.12.1888. He hailed from the family of freedom fighters and received the honour of Kantakabi in 1934. From his childhood, he was fond of songs, music, drama and literature. By cruel blow of destiny, he was affected by leprosy; but it could not prevent him from pursuing his creative writing. He contributed to all aspects of literary world of Odia literature. He has written beautiful parodies, the most famous among them is “Chataka Chandra Hasa Champu”. Kantakabi used to encourage young writers through his magazine, “Dagara”, which was being published from Bhadrak, Odisha.
• When the freedom movement led by Mahatma Gandhi gripped the entire nation, Kantakabi through his patriotic songs used to enthuse the masses. He also actively participated in the movement of unification of Odia speaking areas and penned down “Bande Utkal Janani”, the song which has been accorded the State Anthem by the Odisha State. He breathed his last on 24.02.1953. He lives in the heart of Odia people through his immortal work.
• Text : Referenced from the contents provided by the proponent.

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Issued by India

Issued on Jul 6, 2019

Issued for : The College has completed 75 years of its establishment this year. Department of Posts is pleased to issue a Commemorative Postage Stamp on Fakir Mohan College, Balasore.

Credits :
Stamp/FDC/Brochure : Smt. Vinita Sinha
Cancellation Cachet : Smt. Alka Sharma

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 601880

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• Fakir Mohan College was established on 6 July, 1944. The college, initially known as Baleshwar College, was started as a second grade college with 96 seats for Intermediate in Arts course. In 1946, the Bachelor of Arts class was introduced and Intermediate in Science was introduced in 1948. Ultimately, after more than a decade, the Bachelor of Science class was started in 1961-62.
• Now the institution provides education up to post-graduate level in Arts, Science and Commerce. To accommodate the increasing demand for courses and student enrolment, separate blocks were constructed and infrastructure strengthened. It is a full-fledged Graduate and a growing Post-Graduate College, affiliated to Fakir Mohan University, Balasore. Located in the heart of Balasore City, the institution has relentlessly fostered learning and academic excellence, building up a huge corpus of illustrious alumni over the years. The Baleshwar College was the only institution of the type in the whole of the district in the pre-independence era. The College initially operated from the premises of the erstwhile Zilla School, until the School was shifted in 1961 to its new building. The College was renamed as Fakir Mohan College in 1949 after the eminent Oriya poet and novelist late Fakir Mohan Senapati who was the son of the soil.
• In 1999, the Institute was granted Autonomous status by the U.G.C. and in 2001, the +2 wing was separated. At present, Fakir Mohan Autonomous College has a student strength of 3500 covering Arts, Science and Commerce streams. Post-Graduate courses in Commerce commenced from 1979-80 followed later by P.G. in Mathematics, Physics, Political Science, Odia, Botany, Hindi and Psychology. Courses in self-financed mode are offered in Computer Science, Bachelor of Business Administration and 4-year Integrated Bachelor of Education course along with the skill development programme, Diploma in Tourism & Hospitality Management. In the current session, the UGC has also approved the course of Bachelor of Vocational Education.
• Significant milestones in the journey of the College include accreditation by NAAC in 2006 with B++ and re-accreditation in 2014. In 2006, the Institution was declared a centre with Potential for Excellence. Presently, the Institution is in readiness for the third cycle of re-accreditation. The college serves as a nodal centre for supervision and implementation of various Government schemes and policies of the region.
• The Vision of the College is to foster holistic development through academic excellence in teaching, learning and research; to inculcate appreciation for arts and culture and to help imbibe humanistic values along with consciousness of the importance of physical wellness. The Mission of the College inter alia is to nurture through continuous academic engagement, to inculcate values, rational approach, management and leadership skills; to encourage development through research activities, colloquium and workshops for faculty members; to encourage active participation in co-curricular activities; to encourage fitness of mind and body through participation in games and sports, yoga and meditation; and to provide a transformative journey leading to holistic development.
• Text : Based on information received from the proponent.

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Issued by India

Issued on May 2, 2019

Issued for : Department of Posts is pleased to issue a Commemorative Postage Stamp on Vedanta Desikan.

Credits :
Stamp/FDC/Brochure : Smt. Vinita Sinha
Cancellation Cachet : Smt. Alka Sharma

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 600500

Printing Process : Wet Offset

Printer : India Security Press, Nashik

Name : Venkatanathan Desika

Born on 1268 CE at Thoopul (Thiruthanka) [now in Kanchipuram district, Tamil Nadu, India]

Died on 1369 CE at Srirangam, Tamil Nadu, India

About : 

• Vedanta Desikan was a renowned poet, philosopher and a logician. He taught that everyone can easily attain salvation by following the practical path of prappatti, the way of loving surrender and service. His in-depth understanding of even the rival schools of philosophical thought made him a unique polymath.
• Vedanta Desikan contributed to Tamil and Sanskrit literature. His works are Stotras (Devotional Poems), Vedanta Granthas, Vyaakhyaana Granthas (Commentaries), Rahasya Granthas (Esoteric Works), Kavya Granthas, drama that revealed his ingenuity, creativity, logic, linguistic expertise, devotional fervour and erudite scholarship. In all, one hundred and seventy works have been attributed to Vedanta Desikan. He has been honoured with several titles like ‘Sarvatantraswatantra (Master of Everything)’, ‘Kavitharkika Simha (Lion among poets and logicians)’ and ‘Vedanthacharya (The Master of Vedanta)’. The term ‘Desika’ denotes Vedanta Desikan alone.
• Vedanta Desikan was born in 1268 A.D. in Thoopul, Kancheepuram (Tamil Nadu). His parents were Anantasuri and Todaramba. Anantasuri was one of the seventy-four simhasanadhipatis appointed by Sri Ramanuja to spread the message of his philosophy. Anantasuri and Todaramba were childless even after many years of marriage. They went to Tirumala during Brahmotsava and prayed to Lord Venkateswara for progeny. One night, Todaramba had a divine dream in which she swallowed the bell used in the worship of the Lord. She narrated this incident to her husband the next morning. At the same time, the bell in the sanctum sanctorum was found missing. The priests and scholars deduced that the divine bell was going to incarnate from the womb of Todaramba.
• The next year, on the day of the Teerthavaari of Lord Venkateswara – Purattasi Sravanam, Todaramba gave birth to a male child. The child was named as Venkatanatha and later revered as Vedanta Desikan. Vedanta Desikan is considered an avatar (incarnation) of the divine Bell of Lord Sri Venkateswara of Tirumala Tirupati.
• Vedanta Desikan grew up as a prodigy. When he was seven, Kidambi Appullar accepted Venkatanatha as his disciple and taught him arts, science and scriptures. By the age of 20, he became famous for his mastery over poetry, logic, linguistics, science, Vedanta, debate and allied arts. At the age of 21, Desikan got married to Thirumangai also known as Kanakavalli. His uncle also taught him the Garuda mantra which he chanted at Oushadhagiri at Thiruvahindrapuram (near Cuddalore). Garuda gave darshan and taught him the Hayagreeva mantra. He recited that mantra and received the blessings of Lord Hayagreeva.
• Some scholars had challenged Desikan to compose 1000 hymns in one day. Desikan accepted that and composed 1008 hymns on the Divine Feet (padhukas) of Lord Ranganatha of Srirangam within a short span of four hours. This work titled Padukasahasram is full of sonorous and charming poetry in praise of the divine feet of the Lord. He was also master of many other skills including carving sculptures.
• Vedanta Desikan lived a humble life with his wife. He undertook a vow called uchhavritti – accepting alms for daily sustenance from his disciples without actively seeking them. Desikan stayed in several cities throughout his life such as Thiruvahindrapuram, Kancheepuram, Srirangam, Tirupati and Melkote. He also travelled widely all over India on foot. He lived for 101 years and left for his heavenly abode in 1369 A.D.
• Text : Based on information received from the proponent.

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Issued by India

Issued on Mar 9, 2019

Issued for : Department of Posts is pleased to issue a Commemorative Postage Stamp on Kubernath Ray.

Credits :
Stamp/First Day Cover/Brochure/Cancellation Cachet : Smt. Alka Sharma

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 3.0 lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Kuber Nath Ray

Born on Mar 26, 1933 at Matsa village, Dildarnagar Kamsar, Ghazipur, Uttar Pradesh, British India

Died on Jun 5, 1996 at —

About : 

• An eminent scholar of Hindi and English and a great thinker, Shri Kubarnath Ray particularly distinguished himself in the field of writing essay in Hindi. He was born on 26^th March 1933 in village Matsa of Zamania Tehsil in Ghazipur, Uttar Pradesh. He was the son of Smt. Lakshmi Devi and Shri Baikuntha Rai. His mother would say that children in general are born with their fists closed while her son was born with folded hands as if in prayer. He completed his primary, middle and high school education at Ghazipur. He did his Intermediate from Queen’s College, Varanasi and Graduation from Banaras Hindu University with English, Philosophy and Mathematics as his subjects. He went on to do his post-graduation from Kolkata University in English Literature.
• Kubernath Ray’s creative writing primarily deals with general public life in Aryan and non-Aryan India, Gandhian philosophy, stories of Lord Rama and modern contemporary thinking. Personal essays are a fundamental feature of his writing. All the modes of literary writing such as poetry, story, novel, play, etc. may be discovered in his writings. About his literary compositions, he used to say that they were an expression of his inner voice and promptings which were not forced or laboured. He would say that English was the language for his earning needs, Hindi was his natural language for prayer and devotion.
• He served as a Lecturer and Head of English Department in Nalbari College, Nalbari & Guwahati University, Assam from 1959-1986. Later, he was the Principal of Swami Sahajanand P.G. College, Ghazipur (UP) during 1986-1995 from where he retired on 30^th June 1995.
• Some of his works are Priya Nilkanthi (published in 1969), Ras Aakhetak (1971), Gandhmaadan (1972), Nishad Bansuri (1973), Vishad Yoga (1974), Pam Mukut (1978), Mahakavi ki Tarjani (1979), Patr: Maniputul Ke Naam (1980), Man Pawan ki Nauka (1982), Kirat Nadi Me Chandramadhu (1979), Drishti Abhisar (1985), Treta ke Brihatsam (1986), Kaamdhenu (1990), Maraal (1993), Uttarkuru (1993), Cinmaya Bharata (1996), Kanthamani (Kavita) (1998), Vani ka Sheersagar (1998), Andhakar me Agnishikna (2008), Ramayana Mahatirtham (2008), Agam Ki Nav (2013), Kuber Nath Ray Ki Drishti Me Swami Sahajanand (2014) were works published after his death. Twenty research scholars have been awarded Ph.D. for their works on his books.
• Kubernath Ray is known to have avoided stage garlanding, public meetings and specifically public speaking. He used to say that it affected his creative writing. Several words like Nishad, Kirat and some words taken from languages spoken in Southern States of India have been amalgamated by him into Sanskrit and Hindi vocabulary and these are found in his compositions as well.
• Reacting to some criticism for use of difficult words in his writings, Ray responded by saying that every creative writer is a teacher, his duty is to enlarge the reader’s range of knowledge. He believed that a true and keen reader would try to find out the meaning of unfamiliar words. Through his knowledge of English language, Ray became acquainted with the literature of several languages of the world. In addition to Hindi, which was his mother tongue, he knew Urdu, Arabic and Persian. He has a good command of Bengali language and was familiar with Greek and Roman languages and their literature also. He was well versed in Sanskrit, which is considered to be the mother of all Indian languages. He died on 5^th June 1996.
• Text : Based on information received from the proponent.

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Issued by India

Issued on Dec 26, 2017

Issued for : Department of Posts is pleased to issue a Commemorative Postage Stamp on Dr. Shambhunath Singh.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Smt. Alka Sharma

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 5.0 lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Shambhunath Singh

Born on 17 Jun, 1916 at Rawatpar, Deoria district, Uttar Pradesh, India

Died on 3 Sep, 1991 at Varanasi, Uttar Pradesh, India

About : 

• Dr. Shambhunath Singh enriched the Post CHHAYAVAD Hindi literature through his multidimensional creative vision. His literary works reflect the struggle arising out of the conflicts among the social and cultural ethos, inherent in society. His prolonged fifty years literary career was solely aimed at Integral Humanism.
• Born on 17 June 1916 at Rawatpar Amethian village in Deoria district of eastern Uttar Pradesh as the middle son of Thakur Ram Dev Singh, Late Dr. Shambhunath Singh started his poetic career at the tender age of 13 years in 1930. By the year 1940, his poetic abilities were noticed by all. In the meantime, on arrival of Mahatma Gandhi at Kashi in 1934, on an evening in Prarthana Sabha, he presented him the poem titled “Harijan” which was framed in glass. It got instantly auctioned by Bapu and a sum of Rs. 50 was received in Harijan fund. In 1938, as a student of Allahabad University, during the golden jubilee celebrations, he was invited to participate in a “Kavi Sammelan” where his poem “Krishak Bala” was widely appreciated. His genius and talents drew the attention of Late Smt. Mahadevi Verma and Dr. Ram Kumar Verma. He came in close contacts with them and got their blessings.
• His poetic talents were further refined even after the year 1940. His poetry collections “Roop Rashmi” and “Chhaya lok” were published during the year 1940 to 1945. His famous poetry “Samay Ki Shila Par” was published in 1944. Dr. Shambhunath Singh wrote about grass root realities of Indian society which got published later on, as collection of poems like “Udayachal” and “Manvantar”. Depicting the social and economic conditions of Indian rural life, he published the collection of his poems in “Diva Lok”, “Maadhyam Main” and “Khandit Setu” after the year 1950.
• “Maadhyam Main” and “Khandit Setu” are the collections of neo-Hindi poetry written by him, but due to his deep love and affection for Indian natural and cultural consciousness he did not like the imported modernity of neo Hindi poetry. Therefore, he invented a new cult in Hindi poetic traditions, namely, the “Nav Geet”.
• During the 50 years of his literary career from 1940 to 1990, apart from the publications of his eleven collections of poetry he published many valuable research works and treatises too, such as “Hindi Mahakavya kaa Swaroop Vikas”, “Goswami Tulasi Das Jeevan aur Vyaktitwa”, “Chhayawaad Yug”, “Prayog Vaad aur Nai Kavita”, “Moolya aur Uplabdhi”, “Hindi Kavya kee Samajik Bhoomika”, “Hindi Alochana ke Jyoti Stambha”, “Vaidik Jaati Ka Nivas Sthan”, “Bhartiya Sanskriti ka Swaroop” and “Samkaleen Hindi Kavita ka Pariprekshya va Navgeet” etc. With publications of “Dharatee aur Aakash”, “Akela Shahar”, “Adrishya Champa” and “Deewar kee Wapasee” he successfully introduced the experiment of absurd drama in Hindi writing.
• His invaluable works on review, research, drama, essay and stories have glorified and immensely enriched the contemporary Hindi literature. He continuously kept himself abreast of the changes that were taking place in the circles of Hindi poetry. After the decline of Chhaya Vaad, he associated himself with the developing streams of Hindi poetry like Yatharthvaad, Prayogvaad, Pragativaad, Neo Poetry and Nav Geet.
• The renowned critic Dr. Prabhakar Machave has described him as “Prince of Songs”. Folk culture, society, nature, love and sensitivity are the central themes in the poetry of Dr. Shambhunath Singh and through its pursuance he established himself as the exponent of modernity and elevator of Indian cultural consciousness. Deeply engrossed in his relentless literary pursuits, he breathed his last on 3^rd September 1991 in Varanasi.
• Text : Based on the material received from proponent.

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