Issued by India

Issued on Oct 14, 2025

Issued for : India Post is proudly releases joint postage stamp to commemorate 70^th Anniversary of the establishment of Diplomatic Relations between India and Mongolia.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Shri Suresh Kumar

Type : Souvenir Sheet, Mint Condition

Colour : Multi Colour

Denomination : 5000 & 5000 Paise

Souvenir Sheet Price : 10000 Paise

Souvenir Sheets Printed : 113100

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• For most Mongolians, India is a “spiritual neighbour,” a declared ‘third neighbour, a ‘strategic partner’, and a centre for pilgrimage. Lately, the 4 Ds Dharma, Democracy, Development Partnership, and Digital Development Cooperation have become pillars of the Mongolian relationship. Historically, India and Mongolia have interacted through the shared heritage of Buddhism.
• It is believed that some tribes from the Kangra kingdom migrated to Mongolian territory 4300 years ago with Mangaldev, son of the Kangra king, and the majority of them returned to India after staying there for about 2000 years, though there is no historical evidence yet to prove this. In 1924, Mongolian PM A. Amar proposed in his book that Mongolian ancestors could have come from the Himalayas.
• The ‘Ganga Nuur’ lake is believed to have derived its name from the Ganga River in India. As per the popular legends some Mongolian Lamas brought water from Ganga and poured it into the lake in Sukhbaatar Province and named it so. As for Buddhism, it appears to have traversed to Mongolian steppes through Tibet and the Himalayan region. During the Hunnu State and Great Mongol Empire periods, Buddhist monks and Indian traders visited Mongolia. In 552 BC, a Lama Narendrayash from the State of Udayana (Northern India) with some others visited Nirun state. Since India is regarded as the land of Buddha, Lamas and students from Mongolia used to travel to Nalanda, once the largest residential University in India, to study Buddhism.
• These accounts confirm that both India and Mongolia were in close direct contact especially during 5-7 centuries AD and it seems that Buddhism in Mongolia accelerated the process of further spread of Indian culture in Mongolia. The intellectual development of Mongolia is ostensibly influenced by the Mahayana school of Buddhism, its philosophy and the philosophical treaties of Nagarjuna used in simplified expression and terminology.
• Mongolian Buddhism is predominantly the Yellow Hat sect of Buddhism practiced in Tibet and China, but over the centuries, it has evolved into its own version, having incorporated the pre-Buddhist religion of ‘Tengarism’ as well as ‘Shamanistic’ influences.
• Over the last few decades, India–Mongolia relations have been on upward trajectory with several high-level visits further consolidating the relations. Late Ambassador 19^th Bakula Rimpoche, during his 10 years’ tenure in Mongolia from 1990-2000, contributed immensely to consolidating this legacy of Buddhist connection with India and was instrumental in reviving hundreds of Buddhist monasteries in Mongolia and setting up of revered Pethub Monastery in Ulaanbaatar city. The relations have deepened, intensified and consolidated our shared heritage of Buddhism with Mongolia.
• The diplomatic relations with Mongolia were established on 24^th December 1955 and in January 1956, the first Mongolian Ambassador was posted to New Delhi. However, the Resident Mission of India in Ulaanbaatar was opened on 22 February 1971 and before that Indian Ambassador in Moscow (T.N. Kaul) was concurrently accredited. In 2020, the Embassy of India marked the 65^th anniversary of India–Mongolia diplomatic relations during which a special commemorative stamp by Mongol Post on the 65^th anniversary was released in Dec 2020 by Hon. External Affairs Minister of India.
• Text : Referenced from content provided by Ministry of External Affairs.

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Issued by India

Issued on Aug 5, 2025

Issued for : The Department of Posts takes pride in releasing this Joint Issue of two commemorative postage stamps. Beyond marking 75 years of diplomatic relations, this release reflects India Post’s tradition of celebrating global partnerships through meaningful philatelic collections, offering collectors and citizens alike a symbol of international friendship.

Credits :
Stamps/Souvenir Sheet/FDC/Brochure/Cancellation Cachet : Shri Anuj Kumar

Type : Souvenir Sheet, Mint Condition

Colour : Multi Colour

Denomination : 5000 & 5000 Paise

Souvenir Sheet Price : 10000 Paise

Souvenir Sheets Printed : 1,12,000

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• India and the Philippines share warm and friendly ties, based on historical, cultural and civilisational connections, shared values and common interests. Diplomatic Relations between the two countries were formally established in November 1949.
• The Philippines is a key pillar in India’s Act East Policy, Vision MAHASAGAR, vision of the Indo-Pacific, and is a close partner in India’s Comprehensive Strategic Partnership with ASEAN.
• In recent years, the multifaceted cooperation between India and the Philippines has grown significantly. High-level political dialogues, expanding trade and commerce, growing defence and maritime partnerships, including Humanitarian Assistance and Disaster Relief (HADR), cooperation in the areas of science and technology, digital and financial technologies, agriculture, and people-to-people exchanges are some of the key aspects of our bilateral engagement.
• India and the Philippines are commemorating the 75^th anniversary of the establishment of diplomatic relations. As part of the commemorative celebrations, this postage stamp set, themed on ‘National Flowers’ [Lotus (India) and Sampaguita (Philippines)] if being issued. The design symbolises the enduring friendship, close cultural connections and shared values between the two countries.
• Text : Prepared from the content provided by Ministry of External Affairs.

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Issued by India

Issued on Jul 25, 2025

Issued for : The Department of Posts proudly releases the Commemorative Postage Stamp that embodies the essence of the India–Maldives partnership anchored in history, enriched by culture, and propelled by cooperation. This stamp highlights the timeless maritime connection and the journey of mutual progress undertaken by both nations.

Credits :
Stamp/Souvenir Sheet/FDC/Brochure/Cancellation Cachet : Shri Sankha Samanta

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 6000 & 6000 Paise

Souvenir Sheet Price : 12000 Paise

Souvenir Sheets Printed : 1,11,200

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• From the first recorded settlers – Giraavaaru people from South India to the footprints left by the Chola empire, during their broader naval campaigns in the 10^th century in the Maldives, the roots of the India–Maldives relations run deep in shared soil. India and Maldives share a common heritage of ancient Hindu ritualistic tradition of Srauta, venerating the sun god, and spiritual Buddhist traditions, with Buddhist stupas & viharas excavated across islands like Male, Fuvahmulah, Gan, and Thoddoo. The common heritage in Hinduism, Buddhism, and later Islam, bound both nations together in the timeless values of harmony, empathy, peaceful co-existence and reciprocal respect.
• India and Maldives share a long and multifaceted relationship, marked by ethnic, linguistic, cultural, religious, and commercial ties that stretch back centuries. After Maldives gained independence from British protectorate status on 26 July, 1965, India was among the first to recognize Maldives as an independent and sovereign nation. In the same year, on November 01, formal diplomatic relations were officially established between India and Maldives.
• India was the first country to establish its resident High Commission in Maldives in 1978. Between 1965-1978, the Maldives was accredited to the High Commission of India, Colombo in Sri Lanka. Maldives opened its first Resident High Commission at New Delhi in 2004 before which diplomatic representation was managed from the Maldivian High Commission in Colombo and its Permanent Mission in New York (for conducting broader international diplomacy).
• India’s role as a ‘First Responder’ in crises have been firmly established with the launch of ‘Operation Cactus’ – a swift military intervention in response to an attempted coup against President Gayoom, in 1988, followed by the launch of ‘Operation Castor’ providing significant relief and assistance to the Maldives amid devastating Indian Ocean Tsunami of December 2004, and ‘Operation Neer’ in 2014 during water crisis in Male. Later, during Covid times, pandemic solidarity through Operation Sanjeevani and Vaccine Maitri further reinforced India’s role as the first responder for Maldives during any crisis.
• India formally adopted the ‘Neighborhood First’ policy in May 2014, with Maldives occupying a place of prominence due to its geographical proximity and strategic relevance. The relationship was further upgraded with SAGAR (Security and Growth for All in the Region) and expanded into a broader MAHASAGAR vision in post-2020, with India firmly establishing its credentials of a “first responder” in times of crisis.
• India is among the top trading partners of Maldives, and bilateral trade has grown steadily, with new shipping and air connectivity links facilitating business and commerce. Indian tourists contribute significantly to the Maldivian tourism sector, while Indian enterprises and professionals are actively involved in the country’s key sectors.
• At the heart of this vibrant partnership lies a deep cultural and people-to-people connection. The proximity of the two countries has enabled centuries of exchange of language, art, craftsmanship, culinary traditions, and shared experiences that continue to shape the collective identities of both peoples.
• Maritime Heritage: The Uru and the Vadhu Dhoni: This Commemorative Postage Stamp, featuring the Indian boat Uru and the Maldivian boat Vadhu Dhoni, is a tribute to the age-old maritime traditions that have long connected India and the Maldives. These traditional boats reflect the shared oceanic legacy and enduring craftsmanship of both nations.
• The Uru – India’s Mastercraft from Beypore: The Uru, also known as the “Fat Boat”, is a large wooden dhow handcrafted in the historic boatyards of Beypore, Kerala. These boats have been part of the Indian Ocean trade for centuries, traditionally used by Arab merchants for transporting goods. Made primarily of teak wood, Urus are renowned for their durability, elegance, and impressive scale. Even today, Uru-building is an artisanal tradition preserved by skilled craftsmen, passed down through generations without blueprints or manuals. The Uru is a proud symbol of India’s maritime heritage and the long-standing commercial exchanges between the Indian subcontinent and island nations such as the Maldives.
• The Vadhu Dhoni – Pride of the Maldivian Seas: A traditional Maldivian fishing boat, the Vadhu Dhoni is locally crafted for reef and coastal fishing. Built with a narrow wooden hull, it allows smooth navigation through lagoons and seas. Most are powered by inboard motors today, though some still retain their traditional sailing capabilities. Often used for handline fishing, it symbolizes the Maldives’ rich maritime heritage and the close bond between island life and the ocean.
• Text : Referenced from content provided by Ministry of External Affairs.

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Issued by India

Issued on Feb 16, 2025

Issued for : The Department of Posts is proud to release a souvenir sheet to commemorate 50 years of autonomy of National School of Drama alongwith sliver jubilee celebration of Bharat Rang Mahotsav. This souvenir sheet serves as a tribute to NSD’s invaluable contributions to performing arts, education and cultural heritage.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Sh. Brahm Prakash

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 1000 Paise (2)

Souvenir Sheets Printed : 211160

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• The National School of Drama (NSD) is one of the foremost theatre training institutions in the world and the only one of its kind in India. Established in 1959 as a constituent unit of the Sangeet Natak Akademi, NSD became an independent entity in 1975. It was registered as an autonomous organisation under the Societies Registration Act XXI of 1860 and is fully financed by the Ministry of Culture, Government of India. Over the past 50 years, NSD has played a crucial role in shaping contemporary theatre by providing rigorous training and fostering artistic excellence among aspiring theatre practitioners.
• NSD offers a highly intensive, thorough, and well-structured three-year training programme that integrates theory with practice. The curriculum is meticulously designed to cover every aspect of theatre, drawing inspiration from the methods of renowned theatre personalities. The training includes systematic studies of Sanskrit drama, modern Indian drama, traditional Indian theatre forms, Asian drama, and Western dramatic protocols, ensuring that students gain a holistic perspective on theatre arts. As part of their training, students produce and perform plays, enhancing their practical learning experience and engaging with audiences.
• NSD has two major performing wings: the Repertory Company and the Theatre-in-Education (TIE) Company, each contributing uniquely to theatres in India and beyond.
• The NSD Repertory Company was established in 1964 to provide a professional platform for graduates of the school. Initially starting with four artists—Shri Ramamurthy, Ms Meena Williams, Ms Sudha Shivpuri, and Shri Om Shivpuri — the company has since evolved into a major institution within NSD. It regularly stages contemporary, modern, and experimental plays, offering theatre lovers a rich and diverse experience. The company also organises its own annual festival, presenting past and new productions each summer.
• Founded on 16 October 1989, the Theatre-in-Education Company, also known as ‘Sanskar Rang Toli’, is one of the most significant theatre education resource centres in India. This wing is composed of actor-teachers who perform and engage with children in schools. The plays created under Theatre-in-Education (TIE) are designed to be interactive, curriculum-based, and age-appropriate, fostering creativity and critical thinking among students. Since its inception, the TIE Company has performed over 800 shows of 26 plays across India, reaching more than 5.5 lakh children, as well as educators, parents, and theatre enthusiasts.
• NSD is also actively involved in theatre outreach and education through its Extension Programme and Traditional Theatre Project.
• Launched in 1978, the Extension Programme aims to decentralise theatre training by conducting workshops in different parts of India and neighbouring countries like Nepal, and Bhutan. These workshops not only introduce participants to theatre but also contribute to their personality development and emotional growth.
• The Traditional Theatre Project, initiated in 1980, bridges the gap between traditional and contemporary theatre. It facilitates creative collaborations between traditional artists and modern theatre practitioners, ensuring that India’s rich theatrical heritage continues to inspire new generations of performers.
• NSD also plays a vital role in theatre literature through its Publication Unit, which publishes textbooks, translates significant theatre works from English to Hindi, and brings out research-based publications on theatre. One of its major publications, Rang Yatra, documents the history of the NSD Repertory Company from 1964 onwards. By 2010, the unit had published 82 books on drama and related subjects, further enriching India’s theatre discourse.
• Having completed 50 years as an autonomous organisation, NSD continues to shape the future of theatre in India. As part of its commitment to theatre excellence, NSD organises Bharat Rang Mahotsav, India’s largest theatre festival. Launched in 1999, this prestigious festival has reached its 25^th edition, marking a milestone in Indian theatre.
• The National School of Drama stands as a beacon of excellence in theatre education, training, and performance. As it celebrates 50 years of excellence, NSD continues to uphold its legacy while adapting to the evolving world of theatre. The institution remains dedicated to enriching the arts, inspiring creativity, and fostering new talent for years to come.
• Text : Reference from content provided by Proponent.

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Issued by India

Issued on Dec 6, 2024

Issued for : To commemorate the Ashtalakshmi Mahotsav, the Department of Posts is proud to release a Commemorative Postage Stamp celebrating the rich cultural and economic heritage of Northeast India. This event, initiated by the Ministry of Development of North Eastern Region (DoNER), highlights the prosperity and diversity of the eight states of Northeast India — Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, Sikkim, and Tripura. Through this stamp, the Department of Posts honors the region’s unique crafts, textiles, and traditions, showcasing its immense potential for cultural exchange, economic development, and global recognition.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Ms. Gulistaan

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 306250

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• The Ashtalakshmi Mahotsav, an annual event initiated by the Ministry of Development of North Eastern Region (DoNER), is a landmark celebration dedicated to showcasing the vast cultural and economic potential of Northeast India. As the eight states of the Northeast—Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, Sikkim, and Tripura—are often referred to as the ‘Ashtalakshmi’ or eight forms of prosperity, this event aptly captures their essence, highlighting their contributions to India’s economic, cultural, and social fabric.
• One of the major highlights of the Ashtalakshmi Mahotsav is the textile exhibition, which includes specialized pavilions for Muga and Eri Silk. These two silk varieties are not only integral to the region’s economy but are also symbols of its sustainable and eco-friendly practices. Muga silk, with its natural golden sheen, is unique to Assam, while Eri silk is celebrated as the only “vegan silk” in the world, as it is produced without harming the silkworm. Visitors to the event will get a firsthand look at the intricate processes involved in silk production, as well as exclusive designer collections at both the Muga Silk and Eri Silk Pavilions.
• The event will feature an array of handcrafted products that have earned GI status. These products, ranging from textiles to food items, are recognized for their authenticity and strong cultural roots. This exclusive pavilion will provide visitors with the opportunity to explore and purchase a variety of Northeast Indian GI products, such as the famed Muga silk from Assam, Manipuri black pottery, and Naga chili. The pavilion will also serve as an educational space where attendees can learn about the history, significance, and production processes of these unique items. This conclave aims to bridge the gap between traditional craftspeople and modern designers, fostering collaborations that can take the region’s crafts to new heights.
• A special fashion show will be held to showcase the fusion of contemporary design with traditional textiles. The Fashion Show will feature top designers from the region collaborating with local artisans to create breathtaking ensembles that highlight the versatility and beauty of Northeast Indian textiles. From Muga silk gowns to Eri silk stoles, the runway will be a testament to the region’s growing influence in the global fashion industry.
• In addition to promoting culture and fashion, the Mahotsav is a powerful tool for economic development. The Buyer-Seller Meet, Investor Round Table, and Panel Discussions, core components of the event, will bring together manufacturers, artisans, and traders from Northeast India with buyers and investors from across the country and beyond. This platform will enable direct interactions, fostering long-term business relationships and facilitating bulk orders, which will be crucial for the artisans of the region. The Mahotsav is as much a cultural celebration as it is an economic one. Each day of the event will feature Northeast India Cultural Shows, showcasing the region’s diverse and colorful traditions. Local bands and cultural performances will give visitors a taste of the region’s rich heritage.
• Overall, the Mahotsav is not just a showcase of Northeast India’s cultural and economic potential but a celebration of its place within the broader national and global framework. Through this event, the Ministry of DoNER hopes to highlight the richness of Northeast India’s heritage while opening up new avenues for trade, investment, and collaboration, ultimately contributing to the holistic development of the region.
• Significance of the Stamp
  • The Octagram used in the logo is inspired by the symbol “Star of Lakshmi,” which represents spirituality, material wealth, agriculture, royalty, knowledge, courage, progeny, and victory. The logo signifies the eight states of the Northeast, each bearing the manifestation of the eight forms of the goddess of wealth and prosperity. By combining the rising sun and the octagram, the logo emphasizes the importance of each state in the Northeast in leading India towards growth and prosperity.
  • The “Xorai,” a traditional utensil, is a symbol of hospitality and reverence in Assam. It is used to offer “Tamul Paan,” a betel leaf and nut mixture, to welcome guests. In sacred places like “Naamghars,” it serves as a vessel to present Prasad to the divine. Beyond its practical uses, the “Xorai” is also a cherished gift, often presented to honored individuals as a token of respect.
  • Meghalaya is renowned for its golden fruit – the pineapple. With its perfect climate and skilled farmers, this golden fruit positions the state as a leader in sustainable agriculture. Meghalaya’s pineapples are a symbol of economic vibrancy and environmental responsibility.
  • Bamboo is deeply woven into the culture and economy of Tripura. From traditional rituals to modern construction, bamboo plays a vital role. It not only strengthens homes but also empowers communities through handicrafts and sustainable industries.
  • The graceful Sangai, Manipur’s state animal, is a rare and beautiful deer. With its distinctive antlers, it is often called the dancing deer. The Sangai is an endemic and endangered subspecies of Eld’s deer found only in Manipur, India.
  • The Mithun, or the Indian Bison’s head with its impressive horns, is a symbol of wealth, prosperity, and fertility. This unique bond between humans and Mithuns reflects the rich cultural heritage of Nagaland.
  • The Cheraw dance is a cherished tradition of Mizoram and is a celebration of life, performed at various festivities. The dancers, holding bamboo staves, create intricate patterns inspired by the beauty of nature.
  • The great Indian hornbill is a symbol of courage, tradition, and ecological balance in Arunachal Pradesh. The hornbill’s beak is a mark of manhood and valor. These magnificent birds play a crucial role in maintaining the health of the forest, earning them the title “farmers of the forest.”
  • The endless knot, a symbol of eternal wisdom and compassion, is deeply revered in Sikkim. It represents the interconnectedness of all beings and the endless cycle of life, death, and rebirth. This sacred symbol is often found in jewellery, religious artifacts, and traditional art forms, reminding us of the profound teachings of Buddhism.
• Text : Based on information received from proponent.

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Issued by India

Issued on Sep 17, 2024

Issued for : In 2023, India and Romania celebrated 75 years of diplomatic relations. To commemorate this milestone, the Department of Posts is pleased to issue a joint postage stamp, highlighting the strong political, economic, and cultural ties between the two nations.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Shri Jairaj T.G.

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 5000 & 5000 Paise

Stamps Printed : 113700

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• Established in 1948 and upgraded to ambassadorial level in 1968, the India–Romania diplomatic relationship has grown into a strong partnership with deep political, economic, and cultural ties. Both nations have supported each other in multilateral issues and international organizations including the UN. Bilateral visits have further solidified these ties. Economic relations are expanding, with significant growth in trade for 2023-24. Several agreements have been signed over the years to enhance cooperation in sectors such as tourism, defense, and diplomatic visa exemptions. Romania‘s commitment to global initiatives, including the International Solar Alliance, highlights their shared focus on sustainable development.
• Cultural cooperation is a key element of the India–Romania relationship. A Cultural Agreement signed in 1957 laid the groundwork for exchanges in culture, science, and the arts, which continue with the 2022-2027 Cultural Exchange Programme. Educational and cultural exchanges are vibrant, with ICCR-sponsored dance troupes regularly performing in Romania and events like the “Namaste India” festival and International Day of Yoga becoming annual highlights. The Cluj Centre for India Studies and the Romania–India Study Center at the Romanian-American University further enhance academic and cultural ties. In August 2023, an ICCR troupe visited Targu Jiu for the International Folklore Festival, showcasing cultural performances and workshops.
• Folk art reflects the life and traditions of rural communities, with costumes serving as cultural “identity cards” developed over generations.
• The joint stamp features traditional folk costumes from both countries. The Romanian costume from Bihor County showcases vibrant embroidery in red, green, and black on a white shirt, complemented by a long sheepskin coat for women and a simple black hat for men. Women’s attire also includes a black kerchief with red floral motifs.
• For India, the stamp depicts the ‘Lehenga–Choli’ and ‘Dhoti–Kurta.’ The lehenga choli, a pleated skirt and blouse, is worn during festivals and ceremonies, while the dhoti and kurta represent traditional attire for men. These costumes highlight the rich cultural heritage of both nations and their shared traditions.
• This stamp embodies the lasting partnership and shared history of India and Romania, and celebrates their continued collaboration and future growth.
• Text : Referenced from content provided by Ministry of External Affairs.

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Issued by India

Issued on Feb 25, 2024

Issued for : Department of Posts is pleased to issue commemorative postage stamp on Yakshagana and salutes the important role of this traditional dance form in preserving our rich heritage and culture.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Smt. Nenu Gupta

Type : Stamp, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise

Stamps Printed : 302360

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• Yakshagana is a unique and representative traditional performing art form of Karnataka State. In its evolution in the last six centuries, it has progressed much from its folk roots to a highly complex theatre from combining all the major art components discussed in Bharatha’s Natya Shastra.
• Yakshagana is a combination of dance and drama. It is a synthesis of four forms of Abhinaya namely Aharya, Angika, Vachika, and Sathvika. Its music, dance, costumes and dialogues are stylized. In its internal structure it has classical discipline and in its external expression it enjoys folk liberty. It is a whole night performance depicting the stories of the Ramayana, the Mahabharatha and the Puranas. Yakshagana is a kind of ritualistic Theatre art. It is moralistic in purpose and entertaining in performance. It is intellectually appealing and emotionally entertaining.
• There are many variants of Yakshagana in different parts of Karnataka and in other states as well Yakshagana, which is the more popular name in the modern times is also known as Ata (Play), Dashavatara Ata (depicting the ten Avataras of Lord Vishnu), Bayalata (Play in the open field) etc. The variant seen in the region from Dakshina Kannada to Kasaragod is called Thenku thittu (southern style) and the variant seen from Udupi up to Uttara Kannada it is called Badaga thittu (northern style).
• The term ‘Yakshagana’ has been interpreted variously and this aspect also throws light on the historicity of this theatre. Etymologically this name is a combination of two words ‘Yaksha’ and ‘Gana’. Yaksha not only means a group of demigods in Indian mythology but also implies ‘Worship’ (Yaksha Poojaayam). ‘Yakshaganam’ is also seen in Andhra Pradesh (Kuchupudi Yakshaganam). In old Kannada and Telugu literary texts the words (Ekkala) and (Jakkala) stand for a kind of song, a group of people or community who sing in a particular style. Researchers opine that this style of singing might have led to the birth of ‘Yakshagana’. After fifteenth Century we find a kind of composition of songs which are called ‘Yakshagana Prabhandam’ (Composition). These are song texts sung in temples during temple worship. What was once a form of singing gradually transformed to theatre.
• There are no books that describe the features of Yakshagana theatre (as there are Lakshana Granthas to describe Indian Classical music or dance). There is a collection of a few Sanskrit verses and Kannada Songs called ‘Sabhalakshana’ which provide some basic theoretical information about the lead singer (Bhagavat), dimensions of performing area etc. It also contains invocatory songs to Lord Ganapathi, Lord Krishna, Subrahmanya etc.
• The traditional performance of Yakshagana reveals its strong rustic folk features. Illiterate or less educated village artists performed Yakshagana, learning the art from senior artists. This is how all our folk arts have been handed down from generation to generation. In the last one hundred years there have been many changes. Many educated people in coastal Karnataka have become artists. Quite a few have studied Yakshagana with research interest. Many Theatre persons did experiments in Yakshagana with multi dimension growth a good model of Yakshagana has emerged with rigors and discipline of classical arts.
• Text : Based on information provided by the proponent.

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Issued by India

Issued on Feb 20, 2024

Issued for : Department of Posts is pleased to issue a set of commemorative postage stamps on Cultural Heritage of Western Odisha and appreciates its rich culture and heritage positively affecting the beliefs, traditions and lifestyle of people.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Sh. Sankha Samanta

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 500 Paise (6)

Miniature Sheets Printed : 111000

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

About : 

• Odisha is a confluence of the Aryan, Dravidian and Adivasi cultures. Most festivals, art and cultural traditions in the state bring out some parts of these cultures. Sambalpur serves as the gateway to the enchanting western zone of Odisha. It is the epicentre of a very high profile and rich culture. Its art and culture is a unique proposition of dance, music, handicraft, beliefs, social values, traditional practices etc.
• Sambalpuri Bandha (Ikat) work or Sambalpuri work contains the warp and the weft tie-dyed before weaving. This is produced in Sambalpur, Balangir, Bargarh, Boudh and Sonepur Districts of Odisha. The traditional garment has the motifs like Sankha (conch-shell), Chakra (wheel), Phula (flower). These have deep symbolism with the native Odia colours i.e., red, black and white representing Odia culture along with the colour of the face of Mahaprabhu Shree Jagannatha.
• The traditional craftsmanship of ‘Bandhakala’, the tie-dye art reflected in their intricate weaves, also known as ‘Sambalpuri Ikat’. In this technique, the threads are first tie-dyed and later woven into a fabric, with the entire process taking as long as many weeks. The Ikat sarees gained popularity outside Odisha in the 1980-90s. The yarns or set of yarns so produced are called ‘Bandha’. This art is believed to have been migrated to Odisha along with Bhulia community who fled Northern India in the year 1192 A.D. The colours consisted mainly of vegetable colours. The Bandha Sarees were known as ‘Bhulia Kapta’.
• Sambalpuri fabric owes a great deal to the pioneering efforts of Shri Radhashyam Meher, who brought about a radical movement in the skills of the craftsmen and the quality of the products. Other master craftsmen who contributed to the development of Sambalpuri Textiles were Padma Shri Kailash Chandra Meher, Padma Shri Kunja Bihari Meher, Padma Shri Chaturbhuja Meher and Padma Shri Krutarth Acharya along with Handloom Technologist Shri Ramakrushna Meher (National Awardee). Bandha craftsmen are also masters of the ‘extra warp’ and ‘extra weft’ style of designing which can be seen in almost all forms of Bandha Textiles. Radhashyam Meher also produced Khadi textiles using Bandha Art. Shri Meher has established his propriety at Sambalpur for the research, production and marketing of Sambalpuri Textiles.
• Acknowledging Radhashyam Meher’s unparalleled contributions to the growth and popularity of Bandha art, the Ministry of Textiles of Government of India has sponsored Textile Exhibition coinciding with his birth anniversary on 20^th November and organised by the Director of Textiles of Government Of Odisha. Sagarpalli is a large village hosting around 500 Bhulias (weaver families). This is one of the largest weaving villages in Sonepur district, a bastion of Sambalpuri sarees. Other areas affluent with Handloom Weavers are Barpalli, Tarava, Bijepur, Patnagarh and Bargarh.
• Nuakhai festival has been a tradition since 12^th century A.D. People of Western Odisha, spreading across Sambalpur, Balangir, Bargarh, Sundargarh, Kalahandi and adjoining areas of Simdega in Jharkhand celebrate this festival with great joy and happiness. Western Odisha celebrates this agricultural festival which is known as ‘Nuakhai’. The importance of agriculture is deeply embedded in the economic development of this State.
• This is the annual harvest festival in Odisha. Nuakhai is observed to welcome the newly harvested rice of the season. According to the Odia Hindu Calendar, it is observed on Panchami Tithi of the lunar fortnight of the month of Bhadrapada or Bhadraba, the day after Ganesh Chaturthi Festival. The objective of this festival is to celebrate social bonding and strong family ties. The festival has its origin from the Vedic period where the Rishis used to discuss Panchyajna. The Pralambana Yajna is meant for cutting new crops and offering prayers to mother Goddess. People visit their native place during the festival. Nuakhai festival has nine sets of rituals that begin from Behrana to concluding with the Juhar Bhet. This day is considered as auspicious and one of the most important days marked in the calendar of the Western Odisha. Goddess Samalei, the presiding deity of the land is worshipped and is offered food prepared out of new crop or Nabanna.
• Sitala Sasthi Yatra is a sacred Hindu Festival celebrated in Western Odisha in which the divine couple’s marriage is solemnised. Sitala Sasthi is observed on the sixth day of the Jyestha month during Shukla Pakshya. People observing this festival believe that Lord Shiva represents scorching heat of summer while Goddess Parvati signifies the first rain. This holy/sacred wedding is solemnised for a good monsoon.
• The Ministry of Culture of Government of India has accorded National Festival status to Dhanu Yatra in 2014. The Yatra is performed in many places in Western Odisha. The major one of these is the original one at Bargarh. It is about the episodes from birth of Lord Sri Krishna to death of demon king Kansa including Krishna and Balaram’s visit to Mathura to witness the Dhanu Yatra Ceremony of the king Kansa. The interesting fact is that there is no written script used in these enactments. This has become the World’s largest open-air theatre till date.
• Sambalpuri Folk Dance, a dance form owes its origin to the Western part of Odisha, particularly the erstwhile Sambalpur District. This place is known for its sculpturesque Odissi dance form. Deriving its name from the presiding deity of Sambalpur ‘Samalei’, the dance form has a distinct cultural identity of its own. This dance is usually performed during festivals i.e. Dussehra, Nuakhai etc. Accompanied by the rhythm of ‘Panchavadya’ i.e. the 5 local instruments Dhol, Tasha, Nishaan, Jhanjh and Muhuri coupled with the tinkling of Ghungurus, the creative blends of both traditional and modern scintillating movements punctuated with teaming pauses.
• Text : Based on information received from the proponent.

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Issued by India

Issued on Feb 20, 2024

Issued for : When the country is entering into the Amrit Kaal, honouring the life and work of our legendary poets like Bhima Bhoi and Gangadhar Meher is an inspiration to youngsters and motivates them to take pride in our rich cultural heritage.

Department of Posts is delighted to issue a miniature sheet on legendary poets of Odisha and salute the life and work of Bhima Bhoi and Gangadhar Meher.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Shri Brahm Prakash

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 1000 Paise

Souvenir Sheet Price : 2000 Paise

Souvenir Sheets Printed : 1.11 Lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Gangadhara Meher

Born on 9 Aug 1862 at Barpali, Bargarh, Odisha, India

Died on 4 Apr 1924

About : 

• The culture of Odisha is characterized by its rich heritage of classical arts, temple architecture, traditional music and devotion. Its tapestry of history is woven by a number of unsung cultural heroes resulting in diverse and vibrant artistic tradition.
• Gangadhar Meher was born on 9^th August, 1862 on Sravana Purnima at Barapalli, of present-day Bargarh District of Odisha. He was born in a weaver family and educated upto 5^th class. His father Chaitanya Meher was working as a village Vaidya (Ayurvedic doctor) besides his family profession of weaving. At the age of 10, he got married to Shanta Devi.
• In spite of his little education, he had read a good number of books like Raguvamsham in Sanskrit, Tulasi Ramayana in Awadhi, etc. and mastered them. He was also able to read Bengali magazines and newspapers. Due to the pecuniary condition of his family, Gangadhar Meher used to go to school in the morning and helped his father in weaving in the afternoon. His clear and beautiful handwriting also garnered attention from many people willing to get their writings transcribed by him.
• The then Zamindar of Barapalli offered him the post of an Amin (Patwari). Coming to learn of amicable behaviour and good virtues of Gangadhar, the Zamindar promoted him to the post of a Moharir. He continued to serve in the said post and was transferred to Sambalpur, Bijepur and Padampur and at last he was transferred to his native place Barapalli on a salary of Rs. 30/- per month.
• Gangadhar started composing poems from a very tender age. His first writings follow the style and technique of the ancient Odia writers. His first poetic work was ‘Rasa Ratnakara’. Then, being persuaded by some friends he changed his ways and wrote poems in the modern Odia style. The works produced by Gangadhar Meher are marked by vivid imagination, in beauty and clarity of language, in the novelty of style, in point of forceful character painting and in the lively description of nature from different perspective. His writings remain as some of the greatest creations in the Odia literature.
• The popularity of his literary creations is due to his narration of the beauty of the nature. He was also the messenger of Upendra Bhanja’s style and ideals. Just like Kabi Samrat Upendra Bhanja, his poems are replete with high ornamental words, unique composition style, using in befitting cases, similes, metaphors and appropriate words. His poems are sonorous in the rhythm of words and languages.
• His poetic creations include Pranaya Ballari, Kichaka Badh, Indumati, Utkal Laxmi, Ayodhya Drusya, Kabita Kallola, Arghya Thali, Ahalya Staba, Mahima, Bharati Bhabana, Kumara Janmotsav, Bhakti Upahar, Padmini, Kabita Mala and Krushaka Sangita. His Prose creations include Atma Jeevani, Shri Nruparaj Singh, Purana Kabi Fakir Mohan, Swargiya Kashinath Panda, Ehaki Pruthibira Sabda, Sikshit, Ashikshit & Sikshyabhimanini.
• The great poet of Odia literature Gangadhar Meher breathed his last on 4^th April, 1924.
• Text : Based on Information received from the proponent.

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Issued by India

Issued on Feb 20, 2024

Issued for : When the country is entering into the Amrit Kaal, honouring the life and work of our legendary poets like Bhima Bhoi and Gangadhar Meher is an inspiration to youngsters and motivates them to take pride in our rich cultural heritage.

Department of Posts is delighted to issue a miniature sheet on legendary poets of Odisha and salute the life and work of Bhima Bhoi and Gangadhar Meher.

Credits :
Stamp/FDC/Brochure/Cancellation Cachet : Shri Brahm Prakash

Type : Miniature Sheet, Mint Condition

Colour : Multi Colour

Denomination : 1000 Paise

Souvenir Sheet Price : 2000 Paise

Souvenir Sheets Printed : 1.11 Lakh

Printing Process : Wet Offset

Printer : Security Printing Press, Hyderabad

Name : Bhima Bhoi

Born on 1850 at Sambalpur, Odisha, India

Died on 1895 at Subarnapur, Odisha, India

About : 

• The culture of Odisha is characterized by its rich heritage of classical arts, temple architecture, traditional music and devotion. Its tapestry of history is woven by a number of unsung cultural heroes resulting in diverse and vibrant artistic tradition.
• Santha Kabi Bhima Bhoi is a unique genius and spiritual poet born in the 19^th Century (1850). The legend about him is so complex and mysterious that it is still not possible to say anything about him with certainty. As a result, the poet’s date of birth, date of death, birth place, field of worship and life – everything is shrouded in mystery.
• Bhima Bhoi was employed as a cowherd in the house of Chaitanya Pradhan of Kakanpada. One day, while herding the cows, he fell into an abandoned well near Kandhara village. He refused to take help of anybody other than the one who had thrown him into the well. Eventually, Mahima Gosain appeared at the site and served a condition that he would pick him up if he agreed to propagate his thoughts. He also blessed him with the power to write poetry.
• Bhima Bhoi was a great tribal saint poet, philosopher, social reformer and a revolutionary par excellence, the founder of modern cult named Satya Mahima Dharma. Towards the end of 19^th century, Saint Bhima Bhoi saved the downtrodden people from accepting Christianity. He gave a new dimension to the Hindu religion by creating the Satya Mahima Cult with substantive principles of Sanatan Dharma. It was based on the principles of non-attachment and renunciation. Under his able leadership, the cult spread like wildfire in the whole of Odisha and nearby states like Madhya Pradesh, West Bengal, Andhra Pradesh, Bihar and other parts of India.
• He is a literary genius who has to his credit thousands of verses both in Odia (Kosali) and Bengali. Some of those are published in book form and some are still unpublished. His important works include Brahma Nirupana Gita, Stuti Chintamani, Astaka Bihari Gita, Chautisa Madhu Chakra and Bhajanamala. “Granthavali” published in his name, which is rated as a marvellous work of literary excellence of international repute.
• His famous verse “Praninka arata, dukha apramita dekhu dekhu keba sahu, mo jibana pachhe narke padithau, jagata udhhara heu” has found a place on the walls of the United Nations and the Indian Parliament.
• Bhima Bhoi and Maa Annapurna are worshipped by their devotees as God and Goddess whose Paduka Temple is enshrined in the premises of Khaliapali Samadhi Pitha. He was a young yogi and his yoga was effective par excellence. Bhima Bhoi breathed his last in Khaliapali on Shiva Chaturdasi in 1895, where his Samadhi temple is located.
• Text : Based on Information received from the proponent.

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